This thirty-eighth issue of Tales from the Canyons of the Damned consists of five sharp, suspenseful, thought provoking short stories—each from a different featured master of speculative fiction.

The Patron Saint by Steven Van Patten
EV 2000 by Amy Grech
The Fear of a Z’n – A story of Altiva by Teel James Glenn
Boys in the Basement by Jessica West
The Invader by Daniel Arthur Smith.

Tales from the Canyons of the Damned ( is a dark science fiction, horror, & slipstream magazine we've been working on since 2015. What is Dark Science Fiction and Horror? Think of it as a literary Twilight Zone, Night Gallery, or Outer Limits, it's Netflix's Black Mirror and Amazon's Electric Dreams in the short story format. And it's a bargain. Each monthly issue has three-to-five sharp, suspenseful, satirical tales from today's top speculative fiction writers.

These are Dark Sci Fi Slipstream Tales like you've never read before.

Now on Audible!

Jason LaVelle reads - Tales from the Canyons of the Damned: No.34


Amy Grech

Amy Grech has sold over 100 stories to various anthologies and magazines including: A New York State of Fright, Apex Magazine, Beat to a Pulp: Hardboiled, Dead Harvest, Deadman’s Tome Campfire Tales Book Two, Expiration Date, Fright Mare, Hell’s Heart, Hell’s Highway, Needle Magazine, Psycho Holiday, Real American Horror, Tales from The Lake Vol. 3, Thriller Magazine, and many others. New Pulp Press published her book of noir stories, Rage and Redemption in Alphabet City. She is an Active Member of the Horror Writers Association and the International Thriller Writers who lives in Brooklyn. Visit Amy at her website: Follow Amy on Twitter:

Jessica West

Jessica West (a.k.a. West1Jess) is currently pursuing a state of self-induced psychosis, also known as writing. In the past, she has worked for Wal-Mart, a lawyer, and a bank. Now if she could just get a couple years experience with the IRS and the NSA, world domination is in the bag. Jess lives in Acadiana with three daughters still young enough to think she’s cool and a husband who knows better but likes her anyway. For more information, visit

Steven Van Patten

Steven Van Patten is from Fort Greene, Brooklyn. After graduating from Long Island University on a full-tuition scholarship, he pursued a career in television production. After paying his dues, Steven went on to stage manage a plethora of TV shows, most recently The Mel Robbins Show and The View, all the while dreaming up his macabre tales. The storyline of his first novel was born from watching horror movies as a child and noticing a lack of diversity, and character development when people of color were employed. After pouring over historical research night after night, and traveling alone to various locales, including Senegal, West Africa and Osaka, Japan, he wrote the first three installments of the Brookwater’s Curse horror novel series, which featured a 1860s Georgia plantation slave who becomes a vampire. After receiving much praise, several glowing reviews from various book club heavy hitters, and literary awards for each book, Steven was admitted into the Horror Writer’s Association. His next two novels, ‘Killer Genius: She Kills Because She Cares’ and ‘Killer Genius 2: Attack of The Gym Rats—pitted a hyper-intelligent, socially conscious female serial killer against a well-intentioned African-American detective. It debuted at NYC Comic Con in October of 2015 and was nominated for an African-American Literary Show Award for Best Mystery/ Suspense in 2016. Three years later, ‘Hell At The Way Station’, Steven’s collaboration with Marc Abbott, a horror anthology with a sort of Arabian Knights twist, won Best Anthology and Best In Sci-Free. Visit Steven at his website:

Teel James Glenn

Teel James Glenn was born in Brooklyn and has traveled the world for thirty years as a Stuntman/ Fight choreographer/ Swordmaster, Jouster, Book Illustrator, Storyteller, Bodyguard and Actor (Yes he was Vega in Streetfighter: the later Years). And has done over 80 films and 55 Renaissance Faires in most of the above capacities. He’s had stories and articles printed in scores of magazines from AfterburnSF, Classic Pulp Fiction stories, Blazing Adventures, Weird Tales, and Mad to Black Belt and Fantasy Tales and a number of books published. You can keep up with his new adventures at or his blog

Daniel Arthur Smith

Daniel Arthur Smith is a USA Today bestselling author. His titles include Spectral Shift, Hugh Howey Lives, The Cathari Treasure, The Somali Deception, and a few other novels and short stories. He also curates the phenomenal short fiction series Tales from the Canyons of the Damned and Frontiers of Speculative Fiction. He was raised in Michigan and graduated from Western Michigan University where he studied philosophy, with focus on cognitive science, meta-physics, and comparative religion. He began his career as a bartender, barista, poetry house proprietor, teacher, and then became a technologist and futurist for the Fortune 100 across the Americas and Europe. Daniel has traveled to over 300 cities in 22 countries, residing in Los Angeles, Kalamazoo, Prague, Crete, and now writes in Manhattan where he lives with his wife and young sons.


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“Tales from the Canyons of the Damned is a fantastic series of…different, engaging and suspenseful pulp stories…horrific, humorous, mysterious and downright creepy tales…that I’ve enjoyed immensely” ~Chris Fried ~The Leighgendarium


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Submissions are closed for Tales from the Canyons of the Damned

Tales from the Canyons of the Damned is currently closed to submissions. You cannot submit at this time.

Submission Guidelines

Word Limit: 500-5000 words.

Pay Rate: Original stories 3¢ per word for the first 5000 words.

Genres: Dark Science fiction, Horror, Weird, and Slipstream. Think of the Canyons as a literary Twilight Zone, Night Gallery, or Outer Limits—it's Netflix's Black Mirror.

Language: English (Translations are welcome.)

Rights: We claim first world electronic rights (text and audio), first print rights (author must be willing to sign copies) for twelve month exclusive, and non-exclusive anthology rights for regularly released and special edition Omnibus anthologies.

Stories must be:
1. Written well.
2. Easily read on-screen.
3. Appropriate for audio.

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